Client Publications & Testimonials
Natasha Rai, The Bride Price
Immersive and deeply resonant, The Bride Price is the story of three women – in the ancient past, the contemporary world and in a distant future – pushing against the limits defined by the men in their lives, and the beauty of the struggle within and between their times.
‘The Bride Price is a searing howl against the patriarchy. Rai's women are schemers, survivors and warriors, and I read each one of them in thrall.’ —Siang Lu, author of Miles Franklin award-winning Ghost Cities.
‘'I can’t stop thinking about it.’ —Emily Maguire, award-winning author of Rapture.
Natasha Rai's work has been longlisted for the 2017 Richell Prize, the 2018 KYD
Unpublished Manuscript award, and highly commended for the
2022 Ultimo Press/Westwords Prize. Her short fiction appears in
Mascara Literary Review, Overland, Verity La and StylusLit.
Cameron Sullivan, The Red Winter
In 1785, Professor Sebastian Grave receives the news he fears most: the terrible Beast of Gévaudan has returned, and the French countryside runs red in its wake.
Sebastian has been recalled to the hunt by an estranged lover who shares a dark history with the Beast and a terrible secret with Sebastian…
“Charming, haunting, ambitious, and a great deal of fun.” —T. Kingfisher, New York Times bestselling author of A Sorceress Comes to Call
“So bloody good. The Red Winter is absolute ripper entertainment—miss it at your peril!” —Shelley Parker-Chan, bestselling author of She Who Became the Sun
Kelli Hawkins, All She Wants
Ask no questions. Tell no lies. The utterly compelling novel from the bestselling author of Other People's Houses.
Lindsay just wants to be a mother. When she discovers her partner is leaving her for another woman, her dreams are left in tatters. Then she meets Jack, they fall hard for each other, and suddenly everything seems perfect. But why is his sister Natalie so strangely protective - and what secrets lie in their past?
'An intriguing psychological thriller with a brilliant twist at the end,'
Australian Women's Weekly
'A dark, twisty tale of guilt and obsession which hooks you right in,'
Petronella McGovern
'Taut, smart and immensely satisfying. I was addicted from the first page to the last,' Nicola Moriarty
